If
Darkthrone
's modus operandi has always been one of appreciating the simple things about
black metal
-- growling voices, big riffs and a perfectly impenetrable logo unless you squint -- there's something to be said about their dedication over the years, which eventually enabled them to aim for a recording quality rather better than on their earliest releases. By the time of
Ravishing Grimness
, the paper-thin shrieks and feedback of the days of
Transilvanian Hunger
had long been beefed out some, so hearing the near-lushness (to a degree) of opening track
"Lifeless,"
especially the majestic mid-song break, was more a continuation than a shocking change. Still, the drums are clearly secondary in the mix, but such is life -- and the massive bell sounds on the title track do help make up for it. Brief at just over half-an-hour for six songs,
might not rank with the best in the genre -- or even among
's own catalog -- but it's a good blast of sound nonetheless.
"The Claws of Time"
is the standout, its central riffs alternating between pure brawling power on the verses and the kind of sudden stirring uplift via the chorus that is mistakenly thought only to belong to bands that think
the Flaming Lips
invented all
rock & roll
. Hearing the almost
Motoerhead
-style raunch of
"The Beast"
is a touch surprising -- it's not
boogie rock
per se but it's not all that far removed. ~ Ned Raggett^"