If any artist can get away with calling an album
Real
, it's
Lydia Loveless
-- from her earliest work, her songs have always been smart but utterly fearless in their honesty about what's happening in her head, heart, and soul. 2016's
is
Loveless
' fourth album, and it's her most mature and polished bit of studio craft to date. While most of
' music has walked a line between honky tonk country and raucous rock & roll,
finds taking a few steps back from her twangy roots and embracing a more pop-oriented sound that still puts the emphasis on guitars but boasts a cool sheen that's decidedly different than her sound on
Boy Crazy
or
Somewhere Else
. Without sounding like she's compromised herself in the least,
offers us a
who could possibly get on the radio with numbers like "Heaven" and "Same to You," songs that could likely connect with fans of
Taylor Swift
(the former) or
Kelly Clarkson
(the latter) if they ever heard them.
is a less raucous and more measured album from
, but a quick scan of the lyrics reveals she's no less bold and passionate than she's ever been, especially as she discusses the clueless creepiness of Midwestern guys, the sometimes untrustworthy call of her own heart, the struggle to find a lover who honestly understands her, and the trickier matter of understanding herself and the world in which she lives. (And old fans shouldn't fret, tracks like "European" and the title cut are still steeped in country influences.)
is a master lyricist, articulate and expressive without seeming forced or hitting a false note, and her vocals on
are superb, less the work of a belter but still as passionate and eloquent as you could hope for. Anyone who wasn't convinced that
is a major artist by
should make a point of giving
a listen -- at her best, she's quite simply as good and as brave a singer and songwriter as anyone working today, and
finds her at the top of her game. ~ Mark Deming