After scoring a college radio hit with
"Stone Cold Yesterday"
from 1990's
One Simple Word
,
the Connells
followed up with their strongest effort to date, the radio-ready
Ring
. While muddy production and underdeveloped songs occasionally plagued their earlier releases,
is an album aimed squarely at the mainstream, and is a clear attempt to pick up on fans of
R.E.M.
alt-country
like
Uncle Tupelo
, and rootsy
power pop
Marshall Crenshaw
. The album's first single, a lilting and seemingly unassuming acoustic
ballad
entitled
"'74-'75"
became an unexpected smash hit in Europe, topping the
pop
charts in many countries across the continent. The song was equally indebted to acoustic-based
roots rock
as it was to
Celtic
music (as witnessed in the ornate backing vocals) and was one of the band's most successful concoctions. Subsequent singles, such as the
poppy
"Slackjawed"
and the nostalgic
"New Boy"
(which sounds like it was written as musical accompaniment to a
James Thurber
story) each managed to garner some alternative radio attention as well. The album tracks were equally as strong, especially the tense
"Carry My Picture,"
a stark portrait of a vindictive relationship.
established
as the forerunners in the group of
jangle pop
bands that had previously lived largely in the shadow of
and helped the band become a moderate commercial success. While time has not been kind to the band or this album,
clearly held some influence. In 2000,
Fran Healy
of the British guitar
band
Travis
admitted that his band's 1999 hit
"Writing to Reach You"
was written while listening to
on the radio, and was, in effect, a bit of a rip-off. The songs sound unmistakably similar, and it's enough proof that
deserve much more credit for their contributions to guitar-based
than they have previously been given. ~ Jason Damas