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Rock & Roll, Vol. 4: 1948
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Rock & Roll, Vol. 4: 1948 in Franklin, TN
Current price: $32.99
Barnes and Noble
Rock & Roll, Vol. 4: 1948 in Franklin, TN
Current price: $32.99
Loading Inventory...
Size: OS
Rock & roll
music scholars debate when the genre really began and which artist produced its first recording. But critics can agree that the music which defined a generation had its roots in the
blues
and
rhythm & blues
artists of the 1940s. Many of those early artists were African Americans who saw their songs recorded by young white musicians who liked their music so well they thought they wrote it. Setting aside the important issues of copyright piracy and musical equities, the kaleidoscope of contributors to the
rock & roll
idiom makes for interesting listening. This CD is part of a series that goes back to those days in the 1940s before
had a name and started a cultural revolution. This volume focuses on the year 1948, when an avalanche of great music was released, all bearing the throbbing beat that was to characterize the music later called
. Many of the artists on the album are well known to mainstream listeners:
John Lee Hooker
,
Harry Choates
Memphis Slim
Muddy Waters
Wynonie Harris
, and
Lightnin' Hopkins
, to name a few. But they comprise only a small part of the wide array of artists featured on this album. The music enthusiast will be edified by hearing selections from the likes of
Cat Anderson
Hankshaw Hawkins
Pee Wee King
the Buchanan Brothers
Spade Cooley
Eddie Shaw & the Wolf Gang
, and many more.
Hank Williams
makes the list of
influences, turning in a scorching version of
"The Blues Come Around."
The influence of
Southern blues
is apparent in tunes like
King Porter
's
"Chittlin' Ball,"
Curly Williams
'
"Georgia Boogie,"
"Hole in the Wall Tonight"
performed by
Albinia Jones
.
Blue Lu Barker
belts out
"Here's a Little Girl,"
a song penned for her by her husband,
Danny Barker
, who accompanies her on guitar. If one ever wondered where the term "Let's Boogie!" came from, this album will set the record straight with one great
boogie
after another. When the CD is over, there is bound to be a better appreciation of where
came from and where it was going from the vantage point of the year 1948. ~ Rose of Sharon Witmer
music scholars debate when the genre really began and which artist produced its first recording. But critics can agree that the music which defined a generation had its roots in the
blues
and
rhythm & blues
artists of the 1940s. Many of those early artists were African Americans who saw their songs recorded by young white musicians who liked their music so well they thought they wrote it. Setting aside the important issues of copyright piracy and musical equities, the kaleidoscope of contributors to the
rock & roll
idiom makes for interesting listening. This CD is part of a series that goes back to those days in the 1940s before
had a name and started a cultural revolution. This volume focuses on the year 1948, when an avalanche of great music was released, all bearing the throbbing beat that was to characterize the music later called
. Many of the artists on the album are well known to mainstream listeners:
John Lee Hooker
,
Harry Choates
Memphis Slim
Muddy Waters
Wynonie Harris
, and
Lightnin' Hopkins
, to name a few. But they comprise only a small part of the wide array of artists featured on this album. The music enthusiast will be edified by hearing selections from the likes of
Cat Anderson
Hankshaw Hawkins
Pee Wee King
the Buchanan Brothers
Spade Cooley
Eddie Shaw & the Wolf Gang
, and many more.
Hank Williams
makes the list of
influences, turning in a scorching version of
"The Blues Come Around."
The influence of
Southern blues
is apparent in tunes like
King Porter
's
"Chittlin' Ball,"
Curly Williams
'
"Georgia Boogie,"
"Hole in the Wall Tonight"
performed by
Albinia Jones
.
Blue Lu Barker
belts out
"Here's a Little Girl,"
a song penned for her by her husband,
Danny Barker
, who accompanies her on guitar. If one ever wondered where the term "Let's Boogie!" came from, this album will set the record straight with one great
boogie
after another. When the CD is over, there is bound to be a better appreciation of where
came from and where it was going from the vantage point of the year 1948. ~ Rose of Sharon Witmer
Rock & roll
music scholars debate when the genre really began and which artist produced its first recording. But critics can agree that the music which defined a generation had its roots in the
blues
and
rhythm & blues
artists of the 1940s. Many of those early artists were African Americans who saw their songs recorded by young white musicians who liked their music so well they thought they wrote it. Setting aside the important issues of copyright piracy and musical equities, the kaleidoscope of contributors to the
rock & roll
idiom makes for interesting listening. This CD is part of a series that goes back to those days in the 1940s before
had a name and started a cultural revolution. This volume focuses on the year 1948, when an avalanche of great music was released, all bearing the throbbing beat that was to characterize the music later called
. Many of the artists on the album are well known to mainstream listeners:
John Lee Hooker
,
Harry Choates
Memphis Slim
Muddy Waters
Wynonie Harris
, and
Lightnin' Hopkins
, to name a few. But they comprise only a small part of the wide array of artists featured on this album. The music enthusiast will be edified by hearing selections from the likes of
Cat Anderson
Hankshaw Hawkins
Pee Wee King
the Buchanan Brothers
Spade Cooley
Eddie Shaw & the Wolf Gang
, and many more.
Hank Williams
makes the list of
influences, turning in a scorching version of
"The Blues Come Around."
The influence of
Southern blues
is apparent in tunes like
King Porter
's
"Chittlin' Ball,"
Curly Williams
'
"Georgia Boogie,"
"Hole in the Wall Tonight"
performed by
Albinia Jones
.
Blue Lu Barker
belts out
"Here's a Little Girl,"
a song penned for her by her husband,
Danny Barker
, who accompanies her on guitar. If one ever wondered where the term "Let's Boogie!" came from, this album will set the record straight with one great
boogie
after another. When the CD is over, there is bound to be a better appreciation of where
came from and where it was going from the vantage point of the year 1948. ~ Rose of Sharon Witmer
music scholars debate when the genre really began and which artist produced its first recording. But critics can agree that the music which defined a generation had its roots in the
blues
and
rhythm & blues
artists of the 1940s. Many of those early artists were African Americans who saw their songs recorded by young white musicians who liked their music so well they thought they wrote it. Setting aside the important issues of copyright piracy and musical equities, the kaleidoscope of contributors to the
rock & roll
idiom makes for interesting listening. This CD is part of a series that goes back to those days in the 1940s before
had a name and started a cultural revolution. This volume focuses on the year 1948, when an avalanche of great music was released, all bearing the throbbing beat that was to characterize the music later called
. Many of the artists on the album are well known to mainstream listeners:
John Lee Hooker
,
Harry Choates
Memphis Slim
Muddy Waters
Wynonie Harris
, and
Lightnin' Hopkins
, to name a few. But they comprise only a small part of the wide array of artists featured on this album. The music enthusiast will be edified by hearing selections from the likes of
Cat Anderson
Hankshaw Hawkins
Pee Wee King
the Buchanan Brothers
Spade Cooley
Eddie Shaw & the Wolf Gang
, and many more.
Hank Williams
makes the list of
influences, turning in a scorching version of
"The Blues Come Around."
The influence of
Southern blues
is apparent in tunes like
King Porter
's
"Chittlin' Ball,"
Curly Williams
'
"Georgia Boogie,"
"Hole in the Wall Tonight"
performed by
Albinia Jones
.
Blue Lu Barker
belts out
"Here's a Little Girl,"
a song penned for her by her husband,
Danny Barker
, who accompanies her on guitar. If one ever wondered where the term "Let's Boogie!" came from, this album will set the record straight with one great
boogie
after another. When the CD is over, there is bound to be a better appreciation of where
came from and where it was going from the vantage point of the year 1948. ~ Rose of Sharon Witmer
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