Home
Romanticism, Realism and the Lines of Mimesis
Barnes and Noble
Loading Inventory...
Romanticism, Realism and the Lines of Mimesis in Franklin, TN
Current price: $120.00
Barnes and Noble
Romanticism, Realism and the Lines of Mimesis in Franklin, TN
Current price: $120.00
Loading Inventory...
Size: OS
Since Plato’s
Republic
, mimesis — the artwork’s tacit claim to reflect or imitate real life — has faced a near-constant stream of assaults, being accused of naturalising a supposedly uncomplicated relationship between world and fiction.
Lines of Mimesis
offers a revisionary account of mimesis. Specifically, it proposes a rethinking of the representational attitudes of two literary schools usually understood to be at odds with one another — Romanticism and Realism — through close readings of writings and drawings made by two figures usually taken to be proponents of those schools respectively: E. T. A. Hoffmann and Honoré de Balzac. Across these readings, Dickson argues that a more capacious understanding of mimesis is achieved when we understand it to pertain not to the reduplication of objects in the world, but to a negotiation of the subject’s sensory entwinement with those objects. This new understanding can, in turn, more closely illuminate an artwork’s own reflections on its relationship to the world, shedding light on the entanglements and crossovers between Romanticism and Realism.
Republic
, mimesis — the artwork’s tacit claim to reflect or imitate real life — has faced a near-constant stream of assaults, being accused of naturalising a supposedly uncomplicated relationship between world and fiction.
Lines of Mimesis
offers a revisionary account of mimesis. Specifically, it proposes a rethinking of the representational attitudes of two literary schools usually understood to be at odds with one another — Romanticism and Realism — through close readings of writings and drawings made by two figures usually taken to be proponents of those schools respectively: E. T. A. Hoffmann and Honoré de Balzac. Across these readings, Dickson argues that a more capacious understanding of mimesis is achieved when we understand it to pertain not to the reduplication of objects in the world, but to a negotiation of the subject’s sensory entwinement with those objects. This new understanding can, in turn, more closely illuminate an artwork’s own reflections on its relationship to the world, shedding light on the entanglements and crossovers between Romanticism and Realism.
Since Plato’s
Republic
, mimesis — the artwork’s tacit claim to reflect or imitate real life — has faced a near-constant stream of assaults, being accused of naturalising a supposedly uncomplicated relationship between world and fiction.
Lines of Mimesis
offers a revisionary account of mimesis. Specifically, it proposes a rethinking of the representational attitudes of two literary schools usually understood to be at odds with one another — Romanticism and Realism — through close readings of writings and drawings made by two figures usually taken to be proponents of those schools respectively: E. T. A. Hoffmann and Honoré de Balzac. Across these readings, Dickson argues that a more capacious understanding of mimesis is achieved when we understand it to pertain not to the reduplication of objects in the world, but to a negotiation of the subject’s sensory entwinement with those objects. This new understanding can, in turn, more closely illuminate an artwork’s own reflections on its relationship to the world, shedding light on the entanglements and crossovers between Romanticism and Realism.
Republic
, mimesis — the artwork’s tacit claim to reflect or imitate real life — has faced a near-constant stream of assaults, being accused of naturalising a supposedly uncomplicated relationship between world and fiction.
Lines of Mimesis
offers a revisionary account of mimesis. Specifically, it proposes a rethinking of the representational attitudes of two literary schools usually understood to be at odds with one another — Romanticism and Realism — through close readings of writings and drawings made by two figures usually taken to be proponents of those schools respectively: E. T. A. Hoffmann and Honoré de Balzac. Across these readings, Dickson argues that a more capacious understanding of mimesis is achieved when we understand it to pertain not to the reduplication of objects in the world, but to a negotiation of the subject’s sensory entwinement with those objects. This new understanding can, in turn, more closely illuminate an artwork’s own reflections on its relationship to the world, shedding light on the entanglements and crossovers between Romanticism and Realism.
You May Also Like
More About Barnes and Noble at CoolSprings Galleria
Barnes & Noble is the world’s largest retail bookseller and a leading retailer of content, digital media and educational products. Our Nook Digital business offers a lineup of NOOK® tablets and e-Readers and an expansive collection of digital reading content through the NOOK Store®. Barnes & Noble’s mission is to operate the best omni-channel specialty retail business in America, helping both our customers and booksellers reach their aspirations, while being a credit to the communities we serve.
1800 Galleria Blvd #1310, Franklin, TN 37067, United States
