London singer/songwriter
Seal
certainly made a name for himself with his eponymous debut despite the comparison to fellow London mate, the raspy soul
Terence Trent D'Arby
. But
is more relaxed, and his craftsmanship is delicate and well defined. Lyrical depictions are light, songwriting is personal, and production credits are most impressive. With star-studded work from both
Trevor Horn
(
Tina Turner
,
the Art of Noise
Rod Stewart
) and
Trevor Rabin
Yes
John Miles
),
is surely a critical hit. Becoming a mainstream radio mainstay for the summer of 1991, the single
"Crazy"
carried heavy notoriety for
and instantly made him a household name. His collaborative effort with
Adamski
for
"Killer"
was a massive club hit thanks to its
Hi-NRG
strength, but
house
elements are showcased other album tracks such as
"The Beginning."
is not necessarily a
dance
innovator, but he makes for a select crossover artist with impeccable talent worthy of heavy acclamation and critical recognition. The general mood captured on his debut album is refreshing for the early-'90s mediocrity of post-
hair metal
and manufactured synth bands. His music was a major force throughout the decade and well into the new millennium. With
at his side, it's undeniable. Together they go for exactly what
is looking for: the beauty, desire, and simplicity in creating a new sound.
is the face and
Horn
is the face behind it all. ~ MacKenzie Wilson