I present my written works as those which disturb the margins of socio-political power and hegemony, to dismantle the hermeneutics, epistemologies and dynamic lexicons of oppression and cultural suppression. This decision advances my movement toward authoring works which situate and re-read pop cultural ideologies and aesthetic assumptions with a philosophical deconstructive expressive critique.
My current and forthcomings works argue for the necessity and strategic representation of my voice as deconstructionist, a pop cultural aesthetic critic and an ideologue writing to establish and fortify new avenues of scholarship and aesthetic criticism.