Home
Siroe, Re Di Persia; Dramma Per Musica, Da Rappresentarsi Ferrara, Nel Teatro Bonacossi S. Stefano, Il Carnevale Dell'anno 1739
Barnes and Noble
Loading Inventory...
Siroe, Re Di Persia; Dramma Per Musica, Da Rappresentarsi Ferrara, Nel Teatro Bonacossi S. Stefano, Il Carnevale Dell'anno 1739 in Franklin, TN
Current price: $26.95

Barnes and Noble
Siroe, Re Di Persia; Dramma Per Musica, Da Rappresentarsi Ferrara, Nel Teatro Bonacossi S. Stefano, Il Carnevale Dell'anno 1739 in Franklin, TN
Current price: $26.95
Loading Inventory...
Size: Hardcover
"Siroe, Re Di Persia" is a dramma per musica by Antonio Vivaldi, with a libretto by Pietro Metastasio. This edition represents the performance of the opera in Ferrara at the Teatro Bonacossi da S. Stefano during the Carnival of 1739. Vivaldi's opera, set in ancient Persia, showcases the intricate plot and emotional depth characteristic of Metastasio's libretti and Vivaldi's musical genius.
This historical document provides insight into the world of 18th-century Italian opera, offering a glimpse into the theatrical and musical culture of the time. It is a valuable resource for scholars and enthusiasts of opera, classical music, and Italian history.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This historical document provides insight into the world of 18th-century Italian opera, offering a glimpse into the theatrical and musical culture of the time. It is a valuable resource for scholars and enthusiasts of opera, classical music, and Italian history.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Siroe, Re Di Persia" is a dramma per musica by Antonio Vivaldi, with a libretto by Pietro Metastasio. This edition represents the performance of the opera in Ferrara at the Teatro Bonacossi da S. Stefano during the Carnival of 1739. Vivaldi's opera, set in ancient Persia, showcases the intricate plot and emotional depth characteristic of Metastasio's libretti and Vivaldi's musical genius.
This historical document provides insight into the world of 18th-century Italian opera, offering a glimpse into the theatrical and musical culture of the time. It is a valuable resource for scholars and enthusiasts of opera, classical music, and Italian history.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This historical document provides insight into the world of 18th-century Italian opera, offering a glimpse into the theatrical and musical culture of the time. It is a valuable resource for scholars and enthusiasts of opera, classical music, and Italian history.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

















