This book explores the ways in which Westernderived music connects with globalization, hybridity, consumerism and the flow of cultures. Both as local terrain and as global crossroads, cities remain fascinating spaces of cultural contestation and meaningmaking via the composing, playing, recording and consumption of popular music.
This book explores the ways in which Westernderived music connects with globalization, hybridity, consumerism and the flow of cultures. Both as local terrain and as global crossroads, cities remain fascinating spaces of cultural contestation and meaningmaking via the composing, playing, recording and consumption of popular music.
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