Prior to releasing her major-label debut,
Starfire
, in early 2018,
Caitlyn Smith
built up an impressive resume as a professional songwriter, penning hits for
Cassadee Pope
("Wasting All These Tears") and
Meghan Trainor
&
John Legend
("Like I'm Gonna Lose You"). Those two examples suggest the Nashville-based songwriter isn't strictly country, yet
Smith
is rooted in country, as evidenced by her songs being cut by
Dolly Parton
,
Garth Brooks
, and
Lady Antebellum
. Still,
doesn't precisely feel like a country album, existing somewhere between the melodramatic country-pop of
Carrie Underwood
, the soft sway of
, and the refined mainstream pop of
Sheryl Crow
.
might be a little hard to peg, but that's also its charm: it's the rare kind of singer/songwriter album where the exquisitely sculpted songs are given big, lavish arrangements that swing for the fences. As a singer,
is more than capable of navigating these sweeping strings, but she also feels equally at home in more intimate settings such as the album centerpiece "This Town Is Killing Me" and the throwback "Tacoma." If it's hard to place what format is best suited for
, it's also true that it's refreshing to hear a singer/songwriter album with a bold personality that by no means sounds like a demo tape. These are fully realized versions of
's repertoire, and if
doesn't click commercially, at least it stands as a testament to all that this fine songwriter can do as a performer. ~ Stephen Thomas Erlewine