Blind Willie McTell
is unique among
country bluesmen
in having a 30-year recording career while remaining essentially an itinerant musician, and during his lifetime he was a familiar sight on the streets of Atlanta and other Southern cities as he performed his varied repertoire of
blues
, rags, and
vaudeville
pieces on his 12-string guitar. This three-disc collection assembles all of his commercial 78s (as well as alternate takes) from
Victor
,
Columbia
OKeh
, and
Vocalion
, including his signature tune, the magnificent
"Statesboro Blues."
Whether
McTell
actually wrote a lot of these songs (or merely adapted them) is unclear, but there is a sharp writer's eye at work here, as evidenced by lines like "Mother died and left me reckless/Daddy died and left me wild" (from
"Statesboro Blues"
) or "I got the blues so bad/I can feel them in the dark" (from
"Dark Night Blues"
). These recordings feature the early
, when his voice was a high and expressive tenor -- that voice deepened and grew rougher as a lifetime of street singing began to take its toll, and by the time
Alan Lomax
recorded him in the 1940s,
had slowed the pace of his songs down considerably as well. All three of the discs included here have been available as individual sets from
Document
, but having them all together in one package brings the full sweep of
's commercial career into focus. Few
of his day could boast as varied a repertoire, one that embraced deep
Piedmont
hokum
styles, as well as religious and
gospel
pieces, and he was a remarkably consistent performer in all of these guises. There are multiple takes of some songs that might irritate some casual listeners, and since the set unfolds chronologically, the pacing at times bogs down, but as the lion's share of his life's work, these recordings show why artists like
Bob Dylan
hold
in such high regard. ~ Steve Leggett