After racking up huge sales with
Live
,
Foghat
found themselves forced to choose between staying a
hard rock
cult group or trying to expand their success and become a full-on commercial phenomenon. They decided to experiment with adding a commercial edge to their sound and hired producing wiz
Eddie Kramer
(knob-twiddler for
Jimi Hendrix
and
Kiss
) to help them find the right balance between guitar power and studio gloss. Sadly, the resulting album,
Stone Blue
, is only intermittently successful because it never finds the right balance to make this compromise work. A good example is the title track: It has all the energy of a classic
track and adds in some nice vocal harmonies, but it lacks the thick, bass-heavy bottom end and the bluesy edge that fuelled the band's best songs. This sonic schizophrenia goes even further on faceless songs like
"High on Love"
"Easy Money,"
which sound like they could have been cut by any 1970s
AOR
band. Despite these moments of stylistic confusion,
's old strengths manage to shine through on occasion:
"It Hurts Me Too"
is an impressive
blues
cover that features a searing vocal performance from
Lonesome Dave Peverett
, and
"Chevrolet"
successfully marries
boogie rock
riffs to a slick studio sound. However, the lack of a consistent overall direction keeps
from being the success it could have been. In the end, it offers enough solid tracks to please the hardcore
fan but casual listeners would better off checking out
Fool for the City
or
for a better, more consistent idea of the group's strengths. ~ Donald A. Guarisco