On the surface,
Taiga
is easily
Zola Jesus
' most accessible album. With each release,
Nika
has peeled away the layers of noise blanketing her music;
Versions
, her orchestral collaboration with
J.G. Thirlwell
, also reflected her sound's increasing refinement. She made
with her most honed palette of sounds yet, fusing brass and strings with beats and synths into a majestic yet poignant sound that recalls
Bjoerk
's
Homogenic
, especially on the stately title track and "Hunger"'s frantic rhythms. Emphasizing her biggest strengths -- her huge voice, ringing melodies, and thoughtful lyrics -- should take
to new heights, and at times it does. She embraces her newfound pop side wholeheartedly, and many moments suggest that this transformation holds promise. It's more than a little remarkable how well she harnesses her power into songs with clearly delineated hooks and choruses: "Dangerous Days" is equally glowering and joyous, echoing
Kate Bush
's "Running Up That Hill" with its galloping beat as well as the moody electropop
Sia
took to the top of the charts earlier in 2014. Meanwhile, "Dust"'s slinky rhythms and brass combine R&B and classical leanings into something bewitching. It's notable that
was often more vulnerable when separated from her listeners by swaths of distortion on previous albums than she is on
, though she does provide respites with more delicate moments like "Lawless" and the uniquely confessional "Ego." Even if it's not her most intimate work,
allows
to be inventive and craft some some stunningly beautiful moments along the way. ~ Heather Phares