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That'll Be the Day/Remember

That'll Be the Day/Remember in Franklin, TN

Current price: $15.99
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That'll Be the Day/Remember

Barnes and Noble

That'll Be the Day/Remember in Franklin, TN

Current price: $15.99
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Size: OS

This disc is an interesting pairing, combining the contents of two LPs from opposite ends of the efforts to tap into
Buddy Holly
's catalog.
That'll Be the Day
, released in April of 1958, was
Decca Records
' first attempt to give a boost to the available
material, assembling 11 of the songs that he'd cut for the label during his four unsuccessful Nashville sessions of 1956 into an LP, issued one month after the
album was issued;
Remember
, released in 1971, was the last posthumous compilation of
Holly
's work assembled by
British MCA
, gathering together the last of his officially released singles, B-sides, and more. Curiously, it is the first 11 songs here, from
-- which is usually dismissed by critics as not sufficiently representative of
's real sound -- that make this CD an important release, very close to essential listening. Those tracks, though a fair distance from the music that made
famous, are good, solid, occasionally inspired
rock & roll
, with a decided
rockabilly
and
country
flavor; they're as instructive about how the producers at the major labels -- in this case,
Owen Bradley
and his assistants at
Decca
's Nashville studio -- and young artists like
, without a lot of studio time under his belt, were finding their way around
recording. Those 11 sides, which never sounded better than they do here, make this CD a must-own release for anyone with more than the most casual interest in
's work or in early
; if the alternate take of
"Rock Around With Ollie Vee"
were here, the CD would be perfect as a document of its subject and period. The later songs, from
, are better crafted and more sophisticated, as well as encompassing some of
's best songs, including
"Learning the Game"
"Peggy Sue Got Married,"
but those are all available elsewhere, and as the context of their inclusion on
Remembering
was mere happenstance, they're nothing more than handy bonus tracks here -- rather more impressive among those later cuts is
"Real Wild Child,"
a frantically paced
number credited to
Ivan
and sung by
Crickets
drummer
Jerry Allison
, featuring
on guitar and backing vocals. The annotation is surprisingly sketchy concerning
, concentrating far more on
's life story, and the original notes from
tell listeners more about that album's contents than do the new notes for the CD. ~ Bruce Eder
This disc is an interesting pairing, combining the contents of two LPs from opposite ends of the efforts to tap into
Buddy Holly
's catalog.
That'll Be the Day
, released in April of 1958, was
Decca Records
' first attempt to give a boost to the available
material, assembling 11 of the songs that he'd cut for the label during his four unsuccessful Nashville sessions of 1956 into an LP, issued one month after the
album was issued;
Remember
, released in 1971, was the last posthumous compilation of
Holly
's work assembled by
British MCA
, gathering together the last of his officially released singles, B-sides, and more. Curiously, it is the first 11 songs here, from
-- which is usually dismissed by critics as not sufficiently representative of
's real sound -- that make this CD an important release, very close to essential listening. Those tracks, though a fair distance from the music that made
famous, are good, solid, occasionally inspired
rock & roll
, with a decided
rockabilly
and
country
flavor; they're as instructive about how the producers at the major labels -- in this case,
Owen Bradley
and his assistants at
Decca
's Nashville studio -- and young artists like
, without a lot of studio time under his belt, were finding their way around
recording. Those 11 sides, which never sounded better than they do here, make this CD a must-own release for anyone with more than the most casual interest in
's work or in early
; if the alternate take of
"Rock Around With Ollie Vee"
were here, the CD would be perfect as a document of its subject and period. The later songs, from
, are better crafted and more sophisticated, as well as encompassing some of
's best songs, including
"Learning the Game"
"Peggy Sue Got Married,"
but those are all available elsewhere, and as the context of their inclusion on
Remembering
was mere happenstance, they're nothing more than handy bonus tracks here -- rather more impressive among those later cuts is
"Real Wild Child,"
a frantically paced
number credited to
Ivan
and sung by
Crickets
drummer
Jerry Allison
, featuring
on guitar and backing vocals. The annotation is surprisingly sketchy concerning
, concentrating far more on
's life story, and the original notes from
tell listeners more about that album's contents than do the new notes for the CD. ~ Bruce Eder

More About Barnes and Noble at CoolSprings Galleria

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