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The Beatitudes of Ekaterina
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The Beatitudes of Ekaterina in Franklin, TN
Current price: $15.95
Barnes and Noble
The Beatitudes of Ekaterina in Franklin, TN
Current price: $15.95
Loading Inventory...
Size: OS
Unable to cease their conversation that became
Beso the Donkey
(MSU Press, 2010), and
A Hundred Million Years of Nectar Dances
(Green Writers Press, 2015), Jarrette found himself addressing Ekaterina in a series of love poems after she suddenly died in 2014. Many are apostrophes, all unsentimental, sometimes harrowing, unflinching, yet full of the exotic spirit, joy, and humor, that shall always be this remarkable, noble, woman. Also fluent in Russian, Italian, Ancient Greek, and Spanish, Katya was a trauma medicine specialist who worked with Médecins Sans Frontières and other international organizations. Her medical team was forced to witness atrocities in Nigeria, perform triage, and subsequently kidnapped, unpersoned, and ransomed. The poems—lamentation, requiem, praise—are visited by her muses: Akhmatova, Tsvetayeva, Sappho, Dante, Anne Carson, Giacometti, and Charlie Chaplin. The book is an unblinking, breathing, monument to love, to the other, a psalm of living fully alive on a planet under seige, and further investigation into the mystery itself which is Jarrette’s life’s work.
Beso the Donkey
(MSU Press, 2010), and
A Hundred Million Years of Nectar Dances
(Green Writers Press, 2015), Jarrette found himself addressing Ekaterina in a series of love poems after she suddenly died in 2014. Many are apostrophes, all unsentimental, sometimes harrowing, unflinching, yet full of the exotic spirit, joy, and humor, that shall always be this remarkable, noble, woman. Also fluent in Russian, Italian, Ancient Greek, and Spanish, Katya was a trauma medicine specialist who worked with Médecins Sans Frontières and other international organizations. Her medical team was forced to witness atrocities in Nigeria, perform triage, and subsequently kidnapped, unpersoned, and ransomed. The poems—lamentation, requiem, praise—are visited by her muses: Akhmatova, Tsvetayeva, Sappho, Dante, Anne Carson, Giacometti, and Charlie Chaplin. The book is an unblinking, breathing, monument to love, to the other, a psalm of living fully alive on a planet under seige, and further investigation into the mystery itself which is Jarrette’s life’s work.
Unable to cease their conversation that became
Beso the Donkey
(MSU Press, 2010), and
A Hundred Million Years of Nectar Dances
(Green Writers Press, 2015), Jarrette found himself addressing Ekaterina in a series of love poems after she suddenly died in 2014. Many are apostrophes, all unsentimental, sometimes harrowing, unflinching, yet full of the exotic spirit, joy, and humor, that shall always be this remarkable, noble, woman. Also fluent in Russian, Italian, Ancient Greek, and Spanish, Katya was a trauma medicine specialist who worked with Médecins Sans Frontières and other international organizations. Her medical team was forced to witness atrocities in Nigeria, perform triage, and subsequently kidnapped, unpersoned, and ransomed. The poems—lamentation, requiem, praise—are visited by her muses: Akhmatova, Tsvetayeva, Sappho, Dante, Anne Carson, Giacometti, and Charlie Chaplin. The book is an unblinking, breathing, monument to love, to the other, a psalm of living fully alive on a planet under seige, and further investigation into the mystery itself which is Jarrette’s life’s work.
Beso the Donkey
(MSU Press, 2010), and
A Hundred Million Years of Nectar Dances
(Green Writers Press, 2015), Jarrette found himself addressing Ekaterina in a series of love poems after she suddenly died in 2014. Many are apostrophes, all unsentimental, sometimes harrowing, unflinching, yet full of the exotic spirit, joy, and humor, that shall always be this remarkable, noble, woman. Also fluent in Russian, Italian, Ancient Greek, and Spanish, Katya was a trauma medicine specialist who worked with Médecins Sans Frontières and other international organizations. Her medical team was forced to witness atrocities in Nigeria, perform triage, and subsequently kidnapped, unpersoned, and ransomed. The poems—lamentation, requiem, praise—are visited by her muses: Akhmatova, Tsvetayeva, Sappho, Dante, Anne Carson, Giacometti, and Charlie Chaplin. The book is an unblinking, breathing, monument to love, to the other, a psalm of living fully alive on a planet under seige, and further investigation into the mystery itself which is Jarrette’s life’s work.
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