In 2002, alternative CCM rockers
Switchfoot
cribbed some wider exposure from
Mandy Moore
, contributing tracks to her film A Walk to Remember. It was a good fit, as the film, like
the Foot
, strode toward the mainstream without forgetting its good-hearted ideals. They returned in February 2003 with the slick modern rock missive
The Beautiful Letdown
, which promptly blew up the Christian charts and garnered
an armful of Dove Award nominations. But, issued through
Columbia Records
instead of
Sparrow
, it was clear
Letdown
had designs on something larger than the CCM market. Thus a year later, in 2004,
issued the album again. It's the same, though the mix is slightly tweaked and an unremarkable DVD with videos and some unreleased stuff appears, hoping to appease those who bought the thing once already. Musically, the album is kind of all over the place. But it's always melodic and well paced, and carefully emulates what's already worked for adult alternative. So, while "Meant to Live" approaches the chunky grandeur of
Fuel
, "Gone" is a winking sing-song of a thing that owes a huge -- huge! -- debt to
Sugar Ray
. There's also stuff like "This Is Your Life" and "More Than Fine," where slick electronic treatments accentuate
Jon Foreman
's slightly
Bono
-ish vocals. It's all tinged with the spirituality that's been
's m.o. since the beginning; however, the band's work is too easily hooky and mature not to find favor with secular audiences. The meanest thing you can say about a gorgeously layered ballad like "Dare You to Move" is that it's more of a nice, warm Tuesday evening than the wee hours of a greasy Saturday night. But there needs to be gradation like this in rock, bands on both the good and evil sides of the coin trying to hold it down. And for their part, for what they do,
is very talented. Here's hoping their polished halo brings its gleam to the mainstream. ~ Johnny Loftus