If it were possible to rate a record here at higher than five stars, this might be the place to do it, as a sort of "best of the best."
Jerome Moross
'
soundtrack
from
The Big Country
(1958) was one of the earlier albums in the output of
United Artists Records
, but it has never had an official re-release on CD, evidently because the master tapes for the album are long-missing (as a unit of a movie distributor -- which is what
United Artists
was, rather than an actual studio -- without its own lot and storage facilities, a lot of master materials for film-related
UA Records
releases are unaccounted for). This CD takes a leap beyond the gap left by the absence of the album -- the producers at
Screen Classics
put together this extraordinary CD of the complete, unmixed music from the actual scoring session for the movie itself. Apart from containing about double the music that was ever on the LP, there are numerous advantages to the use of the material -- in recording the music for the movie,
Moross
used an orchestra upwards of 80 players, and state-of-the-art equipment for the spring 1958 production date of the movie; in cutting the album, by contrast, it was customary to use a reduced complement of musicians, owing to recording fees and related costs, and so what is heard on this CD is not only more of the music than was ever heard on the LP, but it's also the music played by about double the number of musicians that would normally be heard on the LP, if the master tapes were still accessible. The results, even in mono, are most impressive -- producers
Craig Spaulding
and
Susanna Moross Tarjan
(the composer's daughter) have given us a CD with a big sound, rivaling the depth and range that one gets out of SACDs in 2005, with vivid textures across the entire audio spectrum and a close, rich sound on even the leanest, most understated musical passages, such as
"Courtin' Time"
-- indeed, hearing the results on this CD, most recording artists,
classical
or
pop
, would be pretty disgusted with what's on their own CDs of the same vintage origins; they'd want to know how the CD captured the sound on the brass from
"The Raid (Pts. 1 and 2),"
as though there were multiple microphones at the bells of the instruments; or the resonances off the strings in their bowing made it on to this disc. However it was done, this is arguably one of the best-sounding CDs out there, and one of the best single-CD accounts of a movie's original
, and is worth its weight in gold and then some. And that's not just for the sound but the performance itself -- in the early '90s,
Silva Screen
came out with a CD of a new, modern recording of
' music for
, but it falls flat next to the original tracks, which are not only better recorded but also played in a way that is spectacularly superior to the new recording -- the orchestra on
's CD plays
' music much too gently and elegantly, as though it were
Haydn
Mozart
, like it would "break" if they pushed it too hard in the tempos or the nuances, while
gets his orchestra to thunder along at 103-percent of their capacity, pushing the tempos hard and never letting up on the drive behind individual phrasings, or how they're shaped, so that every note of this 74 minutes of music is exciting. The annotation is also extremely thorough, on a biographical and a musical level, and the disc is essential listening and a must-own release for anyone with an interest in
film music
, great orchestral music, this particular movie, or
, or superb programmatic music. ~ Bruce Eder