Home
The Blood on Satan's Claw
Barnes and Noble
Loading Inventory...
The Blood on Satan's Claw in Franklin, TN
Current price: $114.50
Barnes and Noble
The Blood on Satan's Claw in Franklin, TN
Current price: $114.50
Loading Inventory...
Size: Hardcover
Widely regarded as one of the foundational 'Unholy Trinity' of folk horror film,
The
Blood on Satan's Claw
(1971) has been comparatively over-shadowed, if not maligned, when compared to
Witchfinder General
(1968) and
The Wicker Man
(1973). While those horror bedfellows are now accepted as classics of British cinema, Piers Haggard's film remains undervalued, ironically so, given that it was Haggard who coined the term 'folk horror' in relation to his film. In this Devil's Advocate, David Evans-Powell explores the place of the film in the wider context of the folk horror sub-genre; its use of a seventeenth-century setting (which it shares with contemporaries such as
and
Cry of the Banshee
) in contrast to the generic nineteenth-century locales of Hammer; the influences of contemporary counter-culture and youth movement on the film; the importance of localism and landscape; and the film as an expression of a wider contemporary crisis in English identity (which can also be perceived in
, and in contemporary TV serials such as
Penda's Fen
).
The
Blood on Satan's Claw
(1971) has been comparatively over-shadowed, if not maligned, when compared to
Witchfinder General
(1968) and
The Wicker Man
(1973). While those horror bedfellows are now accepted as classics of British cinema, Piers Haggard's film remains undervalued, ironically so, given that it was Haggard who coined the term 'folk horror' in relation to his film. In this Devil's Advocate, David Evans-Powell explores the place of the film in the wider context of the folk horror sub-genre; its use of a seventeenth-century setting (which it shares with contemporaries such as
and
Cry of the Banshee
) in contrast to the generic nineteenth-century locales of Hammer; the influences of contemporary counter-culture and youth movement on the film; the importance of localism and landscape; and the film as an expression of a wider contemporary crisis in English identity (which can also be perceived in
, and in contemporary TV serials such as
Penda's Fen
).
Widely regarded as one of the foundational 'Unholy Trinity' of folk horror film,
The
Blood on Satan's Claw
(1971) has been comparatively over-shadowed, if not maligned, when compared to
Witchfinder General
(1968) and
The Wicker Man
(1973). While those horror bedfellows are now accepted as classics of British cinema, Piers Haggard's film remains undervalued, ironically so, given that it was Haggard who coined the term 'folk horror' in relation to his film. In this Devil's Advocate, David Evans-Powell explores the place of the film in the wider context of the folk horror sub-genre; its use of a seventeenth-century setting (which it shares with contemporaries such as
and
Cry of the Banshee
) in contrast to the generic nineteenth-century locales of Hammer; the influences of contemporary counter-culture and youth movement on the film; the importance of localism and landscape; and the film as an expression of a wider contemporary crisis in English identity (which can also be perceived in
, and in contemporary TV serials such as
Penda's Fen
).
The
Blood on Satan's Claw
(1971) has been comparatively over-shadowed, if not maligned, when compared to
Witchfinder General
(1968) and
The Wicker Man
(1973). While those horror bedfellows are now accepted as classics of British cinema, Piers Haggard's film remains undervalued, ironically so, given that it was Haggard who coined the term 'folk horror' in relation to his film. In this Devil's Advocate, David Evans-Powell explores the place of the film in the wider context of the folk horror sub-genre; its use of a seventeenth-century setting (which it shares with contemporaries such as
and
Cry of the Banshee
) in contrast to the generic nineteenth-century locales of Hammer; the influences of contemporary counter-culture and youth movement on the film; the importance of localism and landscape; and the film as an expression of a wider contemporary crisis in English identity (which can also be perceived in
, and in contemporary TV serials such as
Penda's Fen
).
You May Also Like
![ORANGE BLOOD [KSANA Ver.] [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0196922631672_p0_v2_s600x595.jpg)
More About Barnes and Noble at CoolSprings Galleria
Barnes & Noble is the world’s largest retail bookseller and a leading retailer of content, digital media and educational products. Our Nook Digital business offers a lineup of NOOK® tablets and e-Readers and an expansive collection of digital reading content through the NOOK Store®. Barnes & Noble’s mission is to operate the best omni-channel specialty retail business in America, helping both our customers and booksellers reach their aspirations, while being a credit to the communities we serve.
1800 Galleria Blvd #1310, Franklin, TN 37067, United States
