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The Boy with No Name
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The Boy with No Name in Franklin, TN
Current price: $14.99
Barnes and Noble
The Boy with No Name in Franklin, TN
Current price: $14.99
Loading Inventory...
Size: CD
Early in their career,
Travis
sounded like
Oasis
crossed with
U2
, and as the years rolled steadily on, they gradually replaced
with
Radiohead
, without ditching that devotion
.
may have cut out any of their overt
rock
influences, yet they retained the everyday, boys-next-door image that was so common in all the post-
Britpop
guitar bands, and that humility served them well on their 1999 sophomore effort,
The Man Who
, a commercial breakthrough that also established the soft, shimmering sound that was their signature. Unfortunately for them, not long after that album, they were eclipsed by
Coldplay
, another
-
fusion that managed to keep some sense of majesty to their music, something that
, sensible lads that they are, seemed to studiously avoid. In the wake of that simultaneous success and eclipse, the group survived some professional and personal struggles, taking four years to record their fifth album, 2007's
The Boy with No Name
. Far from being a long-gestating leap forward,
offers a comfortable, familiar
, but there is a slight, subtle difference: the band has truly embraced their modesty, settling into their gentleness. There's a mild, untroubling weariness to their performances here that suits them quite well; it deepens the music, makes their deliberate tempos resonate, it makes the quietness feel contemplative, it even makes the cleanliness of the production feel right, a reflection of their maturity. If the melodies don't really dig in, they nevertheless float sweetly, meshing into the overall fabric and feel of the album. If the music never quite soars, it never seems as if the band is struggling in vain to achieve take-off, either. For the first time since
,
doesn't seem to strive to achieve something, they just exist, and their music is better for it. They're still ordinary, almost painfully so, but they don't seem pedestrian, they seem to have weathered some ups and downs, channeling that experience into an album that has a slight, yet palpable, emotional resonance that their predecessors often lacked. ~ Stephen Thomas Erlewine
Travis
sounded like
Oasis
crossed with
U2
, and as the years rolled steadily on, they gradually replaced
with
Radiohead
, without ditching that devotion
.
may have cut out any of their overt
rock
influences, yet they retained the everyday, boys-next-door image that was so common in all the post-
Britpop
guitar bands, and that humility served them well on their 1999 sophomore effort,
The Man Who
, a commercial breakthrough that also established the soft, shimmering sound that was their signature. Unfortunately for them, not long after that album, they were eclipsed by
Coldplay
, another
-
fusion that managed to keep some sense of majesty to their music, something that
, sensible lads that they are, seemed to studiously avoid. In the wake of that simultaneous success and eclipse, the group survived some professional and personal struggles, taking four years to record their fifth album, 2007's
The Boy with No Name
. Far from being a long-gestating leap forward,
offers a comfortable, familiar
, but there is a slight, subtle difference: the band has truly embraced their modesty, settling into their gentleness. There's a mild, untroubling weariness to their performances here that suits them quite well; it deepens the music, makes their deliberate tempos resonate, it makes the quietness feel contemplative, it even makes the cleanliness of the production feel right, a reflection of their maturity. If the melodies don't really dig in, they nevertheless float sweetly, meshing into the overall fabric and feel of the album. If the music never quite soars, it never seems as if the band is struggling in vain to achieve take-off, either. For the first time since
,
doesn't seem to strive to achieve something, they just exist, and their music is better for it. They're still ordinary, almost painfully so, but they don't seem pedestrian, they seem to have weathered some ups and downs, channeling that experience into an album that has a slight, yet palpable, emotional resonance that their predecessors often lacked. ~ Stephen Thomas Erlewine
Early in their career,
Travis
sounded like
Oasis
crossed with
U2
, and as the years rolled steadily on, they gradually replaced
with
Radiohead
, without ditching that devotion
.
may have cut out any of their overt
rock
influences, yet they retained the everyday, boys-next-door image that was so common in all the post-
Britpop
guitar bands, and that humility served them well on their 1999 sophomore effort,
The Man Who
, a commercial breakthrough that also established the soft, shimmering sound that was their signature. Unfortunately for them, not long after that album, they were eclipsed by
Coldplay
, another
-
fusion that managed to keep some sense of majesty to their music, something that
, sensible lads that they are, seemed to studiously avoid. In the wake of that simultaneous success and eclipse, the group survived some professional and personal struggles, taking four years to record their fifth album, 2007's
The Boy with No Name
. Far from being a long-gestating leap forward,
offers a comfortable, familiar
, but there is a slight, subtle difference: the band has truly embraced their modesty, settling into their gentleness. There's a mild, untroubling weariness to their performances here that suits them quite well; it deepens the music, makes their deliberate tempos resonate, it makes the quietness feel contemplative, it even makes the cleanliness of the production feel right, a reflection of their maturity. If the melodies don't really dig in, they nevertheless float sweetly, meshing into the overall fabric and feel of the album. If the music never quite soars, it never seems as if the band is struggling in vain to achieve take-off, either. For the first time since
,
doesn't seem to strive to achieve something, they just exist, and their music is better for it. They're still ordinary, almost painfully so, but they don't seem pedestrian, they seem to have weathered some ups and downs, channeling that experience into an album that has a slight, yet palpable, emotional resonance that their predecessors often lacked. ~ Stephen Thomas Erlewine
Travis
sounded like
Oasis
crossed with
U2
, and as the years rolled steadily on, they gradually replaced
with
Radiohead
, without ditching that devotion
.
may have cut out any of their overt
rock
influences, yet they retained the everyday, boys-next-door image that was so common in all the post-
Britpop
guitar bands, and that humility served them well on their 1999 sophomore effort,
The Man Who
, a commercial breakthrough that also established the soft, shimmering sound that was their signature. Unfortunately for them, not long after that album, they were eclipsed by
Coldplay
, another
-
fusion that managed to keep some sense of majesty to their music, something that
, sensible lads that they are, seemed to studiously avoid. In the wake of that simultaneous success and eclipse, the group survived some professional and personal struggles, taking four years to record their fifth album, 2007's
The Boy with No Name
. Far from being a long-gestating leap forward,
offers a comfortable, familiar
, but there is a slight, subtle difference: the band has truly embraced their modesty, settling into their gentleness. There's a mild, untroubling weariness to their performances here that suits them quite well; it deepens the music, makes their deliberate tempos resonate, it makes the quietness feel contemplative, it even makes the cleanliness of the production feel right, a reflection of their maturity. If the melodies don't really dig in, they nevertheless float sweetly, meshing into the overall fabric and feel of the album. If the music never quite soars, it never seems as if the band is struggling in vain to achieve take-off, either. For the first time since
,
doesn't seem to strive to achieve something, they just exist, and their music is better for it. They're still ordinary, almost painfully so, but they don't seem pedestrian, they seem to have weathered some ups and downs, channeling that experience into an album that has a slight, yet palpable, emotional resonance that their predecessors often lacked. ~ Stephen Thomas Erlewine
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