Sounding like the middle ground between
Bobby "Blue" Bland
and
Otis Redding
,
Z.Z. Hill
had only just begun to make an impression on the charts after a few singles for
Kent
United Artists
when his contract was sold and he found himself recording for
Jerry "Swamp Dogg" Williams
, a prospect he didn't especially appreciate. Under duress, in a mere three days,
Hill
cut the vocal tracks for an LP and a handful of singles, and that album,
The Brand New Z.Z. Hill
, proved to be one of the most ambitious projects of his career. A song cycle about
's romantic dilemmas with two different women,
Brand New
featured dialogue interludes along with ten songs, several of which were written by
Williams
with
Gary Bonds
(who was leaving the "U.S." out of his name at the time). Concept albums may have been all the rage in 1970, but as a narrative piece,
leaves a certain amount to be desired, as the story doesn't flow very well and the dialogue sections distract more than they bring the listener in. But the material is strong -- especially "Faithful and True," "Chokin' Kind," and "Laughing Song (Ha Ha)" -- and
brought together a fine crew of Muscle Shoals session players who give these sessions an updated
Stax Records
feel that suits
's gritty but heartfelt vocal style beautifully. If
' more ambitious production notions don't quite click on
, when it gets down to serving up some rough-and-ready Southern soul, this album delivers the goods, and it's a better fit (and more interesting) than the sound of
's best known work for
Malaco
in the '80s.
Alive Naturalsound
's 2013 reissue includes eight bonus tracks, taken from the singles
cut at the tail-end of the
sessions, and if "Put a Little Love in Your Heart" was a bad match for the blues/soul icon, "Just as I Am" and "I Think I'd Do It" are just what the doctor ordered. ~ Mark Deming