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The Carl Stalling Project: Music from Warner Bros. Cartoons 1936-1958
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The Carl Stalling Project: Music from Warner Bros. Cartoons 1936-1958 in Franklin, TN
Current price: $17.99
Barnes and Noble
The Carl Stalling Project: Music from Warner Bros. Cartoons 1936-1958 in Franklin, TN
Current price: $17.99
Loading Inventory...
Size: OS
The first volume in
The Carl Stalling Project
series is a revelation; more than just an essential part of a
Warner Bros.
staff that generated some of the finest and most inspired productions in the history of animation,
Stalling
was a visionary whose work deserves consideration among the finest American avant-garde music ever recorded. As these 15 selections from
WB
cartoons dating between 1936 and 1958 attest, his cut and paste style -- a singular collision between jazz, classical, pop, and virtually everything else in between -- was unprecedented in its utter disregard for notions of time, rhythm, and compositional development;
didn't just break the rules, he made them irrelevant. That in the process he created music beloved by succeeding generations of children is more impressive still -- perhaps even unwittingly,
introduced the avant-garde into the mainstream, and as popular music continues to diversify and hybridize, his stature as a pioneer rightfully continues to grow. ~ Jason Ankeny
The Carl Stalling Project
series is a revelation; more than just an essential part of a
Warner Bros.
staff that generated some of the finest and most inspired productions in the history of animation,
Stalling
was a visionary whose work deserves consideration among the finest American avant-garde music ever recorded. As these 15 selections from
WB
cartoons dating between 1936 and 1958 attest, his cut and paste style -- a singular collision between jazz, classical, pop, and virtually everything else in between -- was unprecedented in its utter disregard for notions of time, rhythm, and compositional development;
didn't just break the rules, he made them irrelevant. That in the process he created music beloved by succeeding generations of children is more impressive still -- perhaps even unwittingly,
introduced the avant-garde into the mainstream, and as popular music continues to diversify and hybridize, his stature as a pioneer rightfully continues to grow. ~ Jason Ankeny
The first volume in
The Carl Stalling Project
series is a revelation; more than just an essential part of a
Warner Bros.
staff that generated some of the finest and most inspired productions in the history of animation,
Stalling
was a visionary whose work deserves consideration among the finest American avant-garde music ever recorded. As these 15 selections from
WB
cartoons dating between 1936 and 1958 attest, his cut and paste style -- a singular collision between jazz, classical, pop, and virtually everything else in between -- was unprecedented in its utter disregard for notions of time, rhythm, and compositional development;
didn't just break the rules, he made them irrelevant. That in the process he created music beloved by succeeding generations of children is more impressive still -- perhaps even unwittingly,
introduced the avant-garde into the mainstream, and as popular music continues to diversify and hybridize, his stature as a pioneer rightfully continues to grow. ~ Jason Ankeny
The Carl Stalling Project
series is a revelation; more than just an essential part of a
Warner Bros.
staff that generated some of the finest and most inspired productions in the history of animation,
Stalling
was a visionary whose work deserves consideration among the finest American avant-garde music ever recorded. As these 15 selections from
WB
cartoons dating between 1936 and 1958 attest, his cut and paste style -- a singular collision between jazz, classical, pop, and virtually everything else in between -- was unprecedented in its utter disregard for notions of time, rhythm, and compositional development;
didn't just break the rules, he made them irrelevant. That in the process he created music beloved by succeeding generations of children is more impressive still -- perhaps even unwittingly,
introduced the avant-garde into the mainstream, and as popular music continues to diversify and hybridize, his stature as a pioneer rightfully continues to grow. ~ Jason Ankeny
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