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The Cinema of Sara G mez: Reframing Revolution
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The Cinema of Sara G mez: Reframing Revolution in Franklin, TN
Current price: $95.00
Barnes and Noble
The Cinema of Sara G mez: Reframing Revolution in Franklin, TN
Current price: $95.00
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Size: Hardcover
Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution.
Gómez directed numerous documentary films in 10 prolific years. She also made
De cierta manera
(One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference.
The Cinema of Sara Gómez
assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of
; and a detailed and complete filmography.Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work,
unpacks her complex life and gives weight to her groundbreaking cinema.
Gómez directed numerous documentary films in 10 prolific years. She also made
De cierta manera
(One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference.
The Cinema of Sara Gómez
assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of
; and a detailed and complete filmography.Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work,
unpacks her complex life and gives weight to her groundbreaking cinema.
Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution.
Gómez directed numerous documentary films in 10 prolific years. She also made
De cierta manera
(One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference.
The Cinema of Sara Gómez
assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of
; and a detailed and complete filmography.Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work,
unpacks her complex life and gives weight to her groundbreaking cinema.
Gómez directed numerous documentary films in 10 prolific years. She also made
De cierta manera
(One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference.
The Cinema of Sara Gómez
assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of
; and a detailed and complete filmography.Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work,
unpacks her complex life and gives weight to her groundbreaking cinema.
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