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The Devils and Canon Barham: Ten Essays On Poets, Novelists Monsters
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The Devils and Canon Barham: Ten Essays On Poets, Novelists Monsters in Franklin, TN
Current price: $19.00
Barnes and Noble
The Devils and Canon Barham: Ten Essays On Poets, Novelists Monsters in Franklin, TN
Current price: $19.00
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Size: Paperback
Edmund Wilson's last collection of criticism,
The Devils & Canon Barham,
contains ten essays on Poets, Novelists, and Monsters
Previously published in the
New Yorker
and the
New York Review of Books
, Wilson's writing featured in this volume sees the critic returning to his roots and youth, with essays on his childhood love for
The Ingoldsby Legends,
the works of Hemingway, Eliot's The Waste Land
,
and ends with a peice on The Monsters of Bomarzo and by taking the Modern Language Association (MLA) to task.
The Devils & Canon Barham,
contains ten essays on Poets, Novelists, and Monsters
Previously published in the
New Yorker
and the
New York Review of Books
, Wilson's writing featured in this volume sees the critic returning to his roots and youth, with essays on his childhood love for
The Ingoldsby Legends,
the works of Hemingway, Eliot's The Waste Land
,
and ends with a peice on The Monsters of Bomarzo and by taking the Modern Language Association (MLA) to task.
Edmund Wilson's last collection of criticism,
The Devils & Canon Barham,
contains ten essays on Poets, Novelists, and Monsters
Previously published in the
New Yorker
and the
New York Review of Books
, Wilson's writing featured in this volume sees the critic returning to his roots and youth, with essays on his childhood love for
The Ingoldsby Legends,
the works of Hemingway, Eliot's The Waste Land
,
and ends with a peice on The Monsters of Bomarzo and by taking the Modern Language Association (MLA) to task.
The Devils & Canon Barham,
contains ten essays on Poets, Novelists, and Monsters
Previously published in the
New Yorker
and the
New York Review of Books
, Wilson's writing featured in this volume sees the critic returning to his roots and youth, with essays on his childhood love for
The Ingoldsby Legends,
the works of Hemingway, Eliot's The Waste Land
,
and ends with a peice on The Monsters of Bomarzo and by taking the Modern Language Association (MLA) to task.
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