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the Four Books of Andrea Palladio's Architecture: Wherein, After a Short Treatise Five Orders, Those Observations That Are Most Necessary Building, Private Houses, Streets, Bridges, Piazzas, Xisti, and Temples Treated Of.
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the Four Books of Andrea Palladio's Architecture: Wherein, After a Short Treatise Five Orders, Those Observations That Are Most Necessary Building, Private Houses, Streets, Bridges, Piazzas, Xisti, and Temples Treated Of. in Franklin, TN
Current price: $34.95

Barnes and Noble
the Four Books of Andrea Palladio's Architecture: Wherein, After a Short Treatise Five Orders, Those Observations That Are Most Necessary Building, Private Houses, Streets, Bridges, Piazzas, Xisti, and Temples Treated Of. in Franklin, TN
Current price: $34.95
Loading Inventory...
Size: Hardcover
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
Source Library: British Library
ESTCID: T040073
Notes: The titlepage is engraved; with individual engraved titlepages to books II-IV. At head of titlepage: "Regina virtus". Translated by Isaac Ware.
Imprint: London : published by Isaac Ware, 1738. Collation: [14],110p.,plates ; 2°
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
Source Library: British Library
ESTCID: T040073
Notes: The titlepage is engraved; with individual engraved titlepages to books II-IV. At head of titlepage: "Regina virtus". Translated by Isaac Ware.
Imprint: London : published by Isaac Ware, 1738. Collation: [14],110p.,plates ; 2°
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
Source Library: British Library
ESTCID: T040073
Notes: The titlepage is engraved; with individual engraved titlepages to books II-IV. At head of titlepage: "Regina virtus". Translated by Isaac Ware.
Imprint: London : published by Isaac Ware, 1738. Collation: [14],110p.,plates ; 2°
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
Source Library: British Library
ESTCID: T040073
Notes: The titlepage is engraved; with individual engraved titlepages to books II-IV. At head of titlepage: "Regina virtus". Translated by Isaac Ware.
Imprint: London : published by Isaac Ware, 1738. Collation: [14],110p.,plates ; 2°