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The Limitless Heart: New and Selected Poems (1997-2022)
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The Limitless Heart: New and Selected Poems (1997-2022) in Franklin, TN
Current price: $45.00

Barnes and Noble
The Limitless Heart: New and Selected Poems (1997-2022) in Franklin, TN
Current price: $45.00
Loading Inventory...
Size: Hardcover
Encompassing the breadth of Cheryl Boyce-Taylor’s astounding career,
The Limitless Heart
is a time capsule of the boundless love, care, grief, and fortitude that make her work so stirring.
With deep empathy, thoughtfulness, charisma, and lyricism, Boyce-Taylor’s work explores questions of immigration, motherhood, and queer sensuality, among other themes. Grief is both an anchor and a door throughout Boyce-Taylor’s poetry, as seen in
Mama Phife Represents
, a hybrid of memoir and verse on the death of her son, Malik “Phife Dawg” Taylor of A Tribe Called Quest. Questions regarding Blackness and Black womanhood in the United States are stitched throughout her books, and Boyce-Taylor leans into a more overtly defiant political register in her latest work,
We Are Not Wearing Helmets,
while maintaining the connective spine of the Trinidadian dialect that appears throughout all her work. Selections from these books, as well as her other poetry collections, appear in this new volume.Curated from Boyce-Taylor’s body of work,
encapsulates her progression as a writer throughout the decades of her highly successful career.
The Limitless Heart
is a time capsule of the boundless love, care, grief, and fortitude that make her work so stirring.
With deep empathy, thoughtfulness, charisma, and lyricism, Boyce-Taylor’s work explores questions of immigration, motherhood, and queer sensuality, among other themes. Grief is both an anchor and a door throughout Boyce-Taylor’s poetry, as seen in
Mama Phife Represents
, a hybrid of memoir and verse on the death of her son, Malik “Phife Dawg” Taylor of A Tribe Called Quest. Questions regarding Blackness and Black womanhood in the United States are stitched throughout her books, and Boyce-Taylor leans into a more overtly defiant political register in her latest work,
We Are Not Wearing Helmets,
while maintaining the connective spine of the Trinidadian dialect that appears throughout all her work. Selections from these books, as well as her other poetry collections, appear in this new volume.Curated from Boyce-Taylor’s body of work,
encapsulates her progression as a writer throughout the decades of her highly successful career.
Encompassing the breadth of Cheryl Boyce-Taylor’s astounding career,
The Limitless Heart
is a time capsule of the boundless love, care, grief, and fortitude that make her work so stirring.
With deep empathy, thoughtfulness, charisma, and lyricism, Boyce-Taylor’s work explores questions of immigration, motherhood, and queer sensuality, among other themes. Grief is both an anchor and a door throughout Boyce-Taylor’s poetry, as seen in
Mama Phife Represents
, a hybrid of memoir and verse on the death of her son, Malik “Phife Dawg” Taylor of A Tribe Called Quest. Questions regarding Blackness and Black womanhood in the United States are stitched throughout her books, and Boyce-Taylor leans into a more overtly defiant political register in her latest work,
We Are Not Wearing Helmets,
while maintaining the connective spine of the Trinidadian dialect that appears throughout all her work. Selections from these books, as well as her other poetry collections, appear in this new volume.Curated from Boyce-Taylor’s body of work,
encapsulates her progression as a writer throughout the decades of her highly successful career.
The Limitless Heart
is a time capsule of the boundless love, care, grief, and fortitude that make her work so stirring.
With deep empathy, thoughtfulness, charisma, and lyricism, Boyce-Taylor’s work explores questions of immigration, motherhood, and queer sensuality, among other themes. Grief is both an anchor and a door throughout Boyce-Taylor’s poetry, as seen in
Mama Phife Represents
, a hybrid of memoir and verse on the death of her son, Malik “Phife Dawg” Taylor of A Tribe Called Quest. Questions regarding Blackness and Black womanhood in the United States are stitched throughout her books, and Boyce-Taylor leans into a more overtly defiant political register in her latest work,
We Are Not Wearing Helmets,
while maintaining the connective spine of the Trinidadian dialect that appears throughout all her work. Selections from these books, as well as her other poetry collections, appear in this new volume.Curated from Boyce-Taylor’s body of work,
encapsulates her progression as a writer throughout the decades of her highly successful career.

















