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The Vogue Years
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The Vogue Years in Franklin, TN
Current price: $13.99
Barnes and Noble
The Vogue Years in Franklin, TN
Current price: $13.99
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Size: OS
The excellent mid-'60s
Vogue
recordings of
Francoise Hardy
have only occasionally been available to those outside France, usually courtesy of either shady collections or pricey imports.
The Vogue Years
solves that problem (at least temporarily, as long as it's in print), boasting everything the modern music connoisseur looks for: a lengthy, chronological track listing, crisp remastered sound, lengthy historical liner notes (by
Bob Stanley
from
Saint Etienne
), and an assortment of vintage photos. It hits most (surprisingly, not all) of her best recordings for
from 1962 to 1967, beginning with
"Tous les Garcons et le Filles,"
the multi-million seller recorded at her very first session. Disc two skips through her 1965-1966 material, during which she matured greatly as both a songwriter and performer, with productions that moved from the tinny sound of yeh-yeh
pop
into a fuller brand of
rock
arrangements. With no good retrospective also taking into account her extraordinary work from the late '60s (
Comment Te Dire Adieu
) and early '70s (
La Question
),
takes the cake as the best
collection available. ~ John Bush
Vogue
recordings of
Francoise Hardy
have only occasionally been available to those outside France, usually courtesy of either shady collections or pricey imports.
The Vogue Years
solves that problem (at least temporarily, as long as it's in print), boasting everything the modern music connoisseur looks for: a lengthy, chronological track listing, crisp remastered sound, lengthy historical liner notes (by
Bob Stanley
from
Saint Etienne
), and an assortment of vintage photos. It hits most (surprisingly, not all) of her best recordings for
from 1962 to 1967, beginning with
"Tous les Garcons et le Filles,"
the multi-million seller recorded at her very first session. Disc two skips through her 1965-1966 material, during which she matured greatly as both a songwriter and performer, with productions that moved from the tinny sound of yeh-yeh
pop
into a fuller brand of
rock
arrangements. With no good retrospective also taking into account her extraordinary work from the late '60s (
Comment Te Dire Adieu
) and early '70s (
La Question
),
takes the cake as the best
collection available. ~ John Bush
The excellent mid-'60s
Vogue
recordings of
Francoise Hardy
have only occasionally been available to those outside France, usually courtesy of either shady collections or pricey imports.
The Vogue Years
solves that problem (at least temporarily, as long as it's in print), boasting everything the modern music connoisseur looks for: a lengthy, chronological track listing, crisp remastered sound, lengthy historical liner notes (by
Bob Stanley
from
Saint Etienne
), and an assortment of vintage photos. It hits most (surprisingly, not all) of her best recordings for
from 1962 to 1967, beginning with
"Tous les Garcons et le Filles,"
the multi-million seller recorded at her very first session. Disc two skips through her 1965-1966 material, during which she matured greatly as both a songwriter and performer, with productions that moved from the tinny sound of yeh-yeh
pop
into a fuller brand of
rock
arrangements. With no good retrospective also taking into account her extraordinary work from the late '60s (
Comment Te Dire Adieu
) and early '70s (
La Question
),
takes the cake as the best
collection available. ~ John Bush
Vogue
recordings of
Francoise Hardy
have only occasionally been available to those outside France, usually courtesy of either shady collections or pricey imports.
The Vogue Years
solves that problem (at least temporarily, as long as it's in print), boasting everything the modern music connoisseur looks for: a lengthy, chronological track listing, crisp remastered sound, lengthy historical liner notes (by
Bob Stanley
from
Saint Etienne
), and an assortment of vintage photos. It hits most (surprisingly, not all) of her best recordings for
from 1962 to 1967, beginning with
"Tous les Garcons et le Filles,"
the multi-million seller recorded at her very first session. Disc two skips through her 1965-1966 material, during which she matured greatly as both a songwriter and performer, with productions that moved from the tinny sound of yeh-yeh
pop
into a fuller brand of
rock
arrangements. With no good retrospective also taking into account her extraordinary work from the late '60s (
Comment Te Dire Adieu
) and early '70s (
La Question
),
takes the cake as the best
collection available. ~ John Bush
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