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The Walk
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The Walk in Franklin, TN
Current price: $11.95
Barnes and Noble
The Walk in Franklin, TN
Current price: $11.95
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Size: Paperback
Robert Walser's preferred alternate version of his classic tale. In a new translation by Susan Bernofsky,
The Walk
is an elegant consideration of walking and the philosophical musings it engenders.
A pseudo-biographical “stroll” through town and countryside rife with philosophical musings,
has been hailed as the masterpiece of Walser’s short prose. Walking features heavily in his writing, but nowhere else is it as elegantly considered. Without walking, “I would be dead,” Walser explains, “and my profession, which I love passionately, would be destroyed. Because it is on walks that the lore of nature and the lore of the country are revealed, charming and graceful, to the sense and eyes of the observant walker.”
was the first piece of Walser’s work to appear in English, and the only one translated before his death. However, Walser heavily revised his most famous novella, altering nearly every sentence, rendering the baroque tone of his tale into something more spare. An introduction by translator Susan Bernofsky explains the history of
, and the differences between its two versions.
The Walk
is an elegant consideration of walking and the philosophical musings it engenders.
A pseudo-biographical “stroll” through town and countryside rife with philosophical musings,
has been hailed as the masterpiece of Walser’s short prose. Walking features heavily in his writing, but nowhere else is it as elegantly considered. Without walking, “I would be dead,” Walser explains, “and my profession, which I love passionately, would be destroyed. Because it is on walks that the lore of nature and the lore of the country are revealed, charming and graceful, to the sense and eyes of the observant walker.”
was the first piece of Walser’s work to appear in English, and the only one translated before his death. However, Walser heavily revised his most famous novella, altering nearly every sentence, rendering the baroque tone of his tale into something more spare. An introduction by translator Susan Bernofsky explains the history of
, and the differences between its two versions.
Robert Walser's preferred alternate version of his classic tale. In a new translation by Susan Bernofsky,
The Walk
is an elegant consideration of walking and the philosophical musings it engenders.
A pseudo-biographical “stroll” through town and countryside rife with philosophical musings,
has been hailed as the masterpiece of Walser’s short prose. Walking features heavily in his writing, but nowhere else is it as elegantly considered. Without walking, “I would be dead,” Walser explains, “and my profession, which I love passionately, would be destroyed. Because it is on walks that the lore of nature and the lore of the country are revealed, charming and graceful, to the sense and eyes of the observant walker.”
was the first piece of Walser’s work to appear in English, and the only one translated before his death. However, Walser heavily revised his most famous novella, altering nearly every sentence, rendering the baroque tone of his tale into something more spare. An introduction by translator Susan Bernofsky explains the history of
, and the differences between its two versions.
The Walk
is an elegant consideration of walking and the philosophical musings it engenders.
A pseudo-biographical “stroll” through town and countryside rife with philosophical musings,
has been hailed as the masterpiece of Walser’s short prose. Walking features heavily in his writing, but nowhere else is it as elegantly considered. Without walking, “I would be dead,” Walser explains, “and my profession, which I love passionately, would be destroyed. Because it is on walks that the lore of nature and the lore of the country are revealed, charming and graceful, to the sense and eyes of the observant walker.”
was the first piece of Walser’s work to appear in English, and the only one translated before his death. However, Walser heavily revised his most famous novella, altering nearly every sentence, rendering the baroque tone of his tale into something more spare. An introduction by translator Susan Bernofsky explains the history of
, and the differences between its two versions.
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