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Timm Rautert: Bildanalytische Photographie 1968-1974
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Timm Rautert: Bildanalytische Photographie 1968-1974 in Franklin, TN
Current price: $75.00
Barnes and Noble
Timm Rautert: Bildanalytische Photographie 1968-1974 in Franklin, TN
Current price: $75.00
Loading Inventory...
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From the photographic act to the possibilities of presentation: the fundamental conditions of photography
German photographer Timm Rautert’s (born 1941)
Bildanalytische Photographie
(Image-Analytical Photography) highlights the fundamental conditions of photographic workfrom the photographic act and the development of photographic images under an enlarger in the lab to the various possibilities of presentation. A systematically elaborated ensemble of analog black-and-white and color photographs, of image-text compilations, and of manuals and photographic material provokes elementary questions about what photography means as a medium, what is expected from it, and how it has shaped the perception of the world.
Black-and-white photographs, passport photos, lab experiments and combinations of selected photo prints with their negatives are found here among Rautert’s 56 works, but also nonphotographic material such as a gray card (used for measuring light mainly in photo studios), postcards and graphic manuals. Each work becomes an element of “analysis” showing the numerous potential scenarios of photography.
German photographer Timm Rautert’s (born 1941)
Bildanalytische Photographie
(Image-Analytical Photography) highlights the fundamental conditions of photographic workfrom the photographic act and the development of photographic images under an enlarger in the lab to the various possibilities of presentation. A systematically elaborated ensemble of analog black-and-white and color photographs, of image-text compilations, and of manuals and photographic material provokes elementary questions about what photography means as a medium, what is expected from it, and how it has shaped the perception of the world.
Black-and-white photographs, passport photos, lab experiments and combinations of selected photo prints with their negatives are found here among Rautert’s 56 works, but also nonphotographic material such as a gray card (used for measuring light mainly in photo studios), postcards and graphic manuals. Each work becomes an element of “analysis” showing the numerous potential scenarios of photography.
From the photographic act to the possibilities of presentation: the fundamental conditions of photography
German photographer Timm Rautert’s (born 1941)
Bildanalytische Photographie
(Image-Analytical Photography) highlights the fundamental conditions of photographic workfrom the photographic act and the development of photographic images under an enlarger in the lab to the various possibilities of presentation. A systematically elaborated ensemble of analog black-and-white and color photographs, of image-text compilations, and of manuals and photographic material provokes elementary questions about what photography means as a medium, what is expected from it, and how it has shaped the perception of the world.
Black-and-white photographs, passport photos, lab experiments and combinations of selected photo prints with their negatives are found here among Rautert’s 56 works, but also nonphotographic material such as a gray card (used for measuring light mainly in photo studios), postcards and graphic manuals. Each work becomes an element of “analysis” showing the numerous potential scenarios of photography.
German photographer Timm Rautert’s (born 1941)
Bildanalytische Photographie
(Image-Analytical Photography) highlights the fundamental conditions of photographic workfrom the photographic act and the development of photographic images under an enlarger in the lab to the various possibilities of presentation. A systematically elaborated ensemble of analog black-and-white and color photographs, of image-text compilations, and of manuals and photographic material provokes elementary questions about what photography means as a medium, what is expected from it, and how it has shaped the perception of the world.
Black-and-white photographs, passport photos, lab experiments and combinations of selected photo prints with their negatives are found here among Rautert’s 56 works, but also nonphotographic material such as a gray card (used for measuring light mainly in photo studios), postcards and graphic manuals. Each work becomes an element of “analysis” showing the numerous potential scenarios of photography.
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