Supersister
's unique group sound truly flourished on their second LP. Keyboardist
Robert Jan Stips
had taken control of all the songwriting and managed to work out the obvious influences -- for instance, exit the organ lines too reminiscent of
the Canterbury scene
. At this point, the group is not borrowing ideas from others, it is developing its own ideas alongside the big
progressive rock
acts.
To the Highest Bidder
doesn't sound like this or that; it is pure
, namely in
"A Girl Named You,"
the group's first true classic.
Stips
' composition combines elements of
rock
and
jazz
with a circular me-and-you message that brings to mind early
Gong
(the way he handles the melody also evokes
Daevid Allen
). Everybody gets a technical workout, yet the piece unfolds gracefully, striking a balance between the melodicism of Italian
and the witty character of the
Canterbury
flavor of the genre. This balance is what will set apart this album and the next one. The
ballad
"No Tree Will Grow (On Too High a Mountain)"
is a brilliant fluke -- witness the collective burst of laughter at the end if you thought the guys were serious about this progressified '60s
pop
pastiche. By then the group's longest composition, the 15-minute
"Energy (Out of Future)"
tries to do too many things at once, with very difficult passages tied together by comical vocal episodes. A bit excessive, it still has its share of fine moments that are fun and clever, but what it mostly accomplishes is to exorcise the group's interest in studio experimentation, paving the way for more focused songwriting on the next LP.
was reissued on CD as a two-fer together with the group's first album,
Present from Nancy
. ~ Francois Couture