Barry White
's soundtrack to the 1974 blaxploitation film
Together Brothers
doesn't match the quality of classic efforts like
Curtis Mayfield
's
Superfly
,
Isaac Hayes
'
Shaft
, or
Marvin Gaye
Trouble Man
, but it is an appealing and welcome release all the same.
Mayfield
's and
Gaye
's soundtracks, in particular, benefited from solid material throughout, whereas
White
's soundtrack does suffer from some plodding moments;
"You Got Case"
and
"Stick Up"
recycle past funk grooves, while the main theme
"Somebody Is Gonna Off the Man"
is ineffectively reconfigured throughout. An eerie,
Morricone
-style whistling and harp interlude on
"Killer's Lullaby"
intrigues at first but falters with a thin arrangement. The lightness of tone and many string-laden numbers on
shouldn't be a surprise, though, since they reflect
's romantic soul style: ghetto streets flowing with champagne. In fact, on a majority of the tracks,
's spacious and silky arrangements and
the Love Unlimited Orchestra
's adroit backing are substantial enough to offset the album's weaker moments. The vocal version of
and the soundtrack's one hit
"Honey, Please Can't You See"
are classic examples of
's pop-soul style, while mood numbers like
"So Nice to Hear"
"Can't Seem to Find Him"
benefit from strong and varied arrangements; the latter features an effective three-way collage of funk, noir ambience, and orchestral bombast.
is a must for dedicated
fans and a respectable title in the blaxploitation soundtrack catalog. ~ Stephen Cook