Of the many bands that charged out of the gate after
the Specials
launched the British Ska Revival in 1979,
the Selecter
were one of the strongest, and one that had a musical mind of their own. Though
' hot-rodded take on the vintage Jamaican sound was a clear influence, the deeper grooves of roots reggae were a significant part of their formula, and with lead vocalist
Pauline Black
, their music had a subtle but clear feminist undertow that was a welcome alternative to the boy's club perspective of their peers. Like many of their fellow
2 Tone
groups,
's initial run was short, resulting in just two albums (though they would have a long and productive life after reuniting in the 1990s); however, their debut, 1980's
Too Much Pressure
, was one of the best LPs to arrive in the wake of
's breakthrough. The vocal interplay between
and
Arthur "Gaps" Hendrickson
was inspired, with the rougher, more aggressive tone of his voice adding ballast to
Black
's more flexible instrument, and the group's political broadsides were more effective for their unified report. Songs like "Three Minute Hero," "They Make Me Mad," "Murder" and the title cut are taut, nervy, and pack a welcome punch. Elsewhere, the dubwise reworking of "James Bond" splits the difference between Jamaican ska and early reggae and works on both levels, and "My Collie (Not a Dog)" is an amusing homage to recreational marijuana use. Bassist
Charley Anderson
and drummer
Charley "H" Bembridge
were a potent rhythm section who could gracefully turn on a dime,
Desmond Brown
's keyboards add abundant color and texture to the arrangements, and the guitar work from
Neol Davies
Compton Amanor
is sharp and concise.
The Selecter
never won the larger audience that
,
Madness
, or
the (English) Beat
would command, but
confirms it was never because they lacked the talent, and this remains one of the most satisfying LPs from the first salvo of British ska. [In 2021,
was given a lavishly expanded reissue, with a remastered edition of the album accompanied by a second disc of single tracks and outtakes, and a third of vintage live recordings.] ~ Mark Deming