In 1974,
Quincy Jones
, who already had a wide range of musical credits behind him, opted to enter the
R&B
mainstream by hiring vocalists and overseeing recordings in a commercial vein released under his name. The first of them was
Body Heat
, which went gold, and
Jones
followed with a series of records including 1981's million-selling
The Dude
and the 1990 Album of the Year Grammy-winner
Back on the Block
. Meanwhile, he switched record labels, leaving
A&M
for his own
Warner
-distributed
Qwest
in the early '80s. That has tended to make the assembly of a comprehensive best-of difficult, but
Universal
's
Hip-O
reissue division specializes in licensing material from other labels to construct its
Ultimate Collection
releases, and this one borrows seven out of 18 tracks from
to add to
'
hits, making it the definitive one-disc compilation of
pop
/
recordings of 1974-1999.
himself participated in the selection, which does not strictly follow chart rankings, since a couple of
Top 20 hits (
"I Don't Go for That"
and
"Slow Jams"
) are missing, while a few non-chart items are included. To get more songs in, the singles edits have been used in many cases. But all the major hits are here. The chronological sequencing allows an appreciation of how
' approach changed over the years. The '70s stuff, which holds up surprisingly well, is tasty
, much of it groove-oriented, up-tempo music. By the late '80s, however, there are a lot of big, bland
ballads
that showcase superstar vocalists (
Ray Charles
,
Barry White
, etc.) and sound self-important. Like his protege,
Michael Jackson
, who went from the rocking
"Billie Jean"
to the messianic
"Man in the Mirror"
in the same period,
seems to have begun believing his press clippings, and his work suffered accordingly. ~ William Ruhlmann