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Ultratheatre: Volume 1 / The Sarcoma Cycle + Nasim Bleeds Green
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Ultratheatre: Volume 1 / The Sarcoma Cycle + Nasim Bleeds Green in Franklin, TN
Current price: $24.00
Barnes and Noble
Ultratheatre: Volume 1 / The Sarcoma Cycle + Nasim Bleeds Green in Franklin, TN
Current price: $24.00
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Size: OS
THE SARCOMA CYCLE
is a thematic trilogy of plays exploring grief, technology, and intensity in three distinct time periods:
1.
NANOBLADE 1998
set in the Cook County Hospital during a technological overhaul in medical practice. Romance, chaos, and madness ensue.
2.
SPRING BREAK 2020
a multimedia
grand guignol s
et during the Covid lockdowns. A spectacle that spirals towards an unforgettable finale.
3.
THE MOURNING LIGHT 2050
set in River City, Chicago, in the distant future. About the family of a tech CEO who's invented program to communicate with the dead in Virtual Reality. Prophesies from another realm threaten to tear the family apart.
+ Nasim Bleeds Green
Nasim Bleeds Green was workshopped at Oggi Gallery, Chicago, from November 2019 till Friday, March 13, 2020, when the Covid-19 Pandemic prematurely ended the rehearsal process. It was produced by The Runaways Lab Theater and Margo Rush and was partially supported by a grant from the Illinois Arts Council Agency.
is a thematic trilogy of plays exploring grief, technology, and intensity in three distinct time periods:
1.
NANOBLADE 1998
set in the Cook County Hospital during a technological overhaul in medical practice. Romance, chaos, and madness ensue.
2.
SPRING BREAK 2020
a multimedia
grand guignol s
et during the Covid lockdowns. A spectacle that spirals towards an unforgettable finale.
3.
THE MOURNING LIGHT 2050
set in River City, Chicago, in the distant future. About the family of a tech CEO who's invented program to communicate with the dead in Virtual Reality. Prophesies from another realm threaten to tear the family apart.
+ Nasim Bleeds Green
Nasim Bleeds Green was workshopped at Oggi Gallery, Chicago, from November 2019 till Friday, March 13, 2020, when the Covid-19 Pandemic prematurely ended the rehearsal process. It was produced by The Runaways Lab Theater and Margo Rush and was partially supported by a grant from the Illinois Arts Council Agency.
THE SARCOMA CYCLE
is a thematic trilogy of plays exploring grief, technology, and intensity in three distinct time periods:
1.
NANOBLADE 1998
set in the Cook County Hospital during a technological overhaul in medical practice. Romance, chaos, and madness ensue.
2.
SPRING BREAK 2020
a multimedia
grand guignol s
et during the Covid lockdowns. A spectacle that spirals towards an unforgettable finale.
3.
THE MOURNING LIGHT 2050
set in River City, Chicago, in the distant future. About the family of a tech CEO who's invented program to communicate with the dead in Virtual Reality. Prophesies from another realm threaten to tear the family apart.
+ Nasim Bleeds Green
Nasim Bleeds Green was workshopped at Oggi Gallery, Chicago, from November 2019 till Friday, March 13, 2020, when the Covid-19 Pandemic prematurely ended the rehearsal process. It was produced by The Runaways Lab Theater and Margo Rush and was partially supported by a grant from the Illinois Arts Council Agency.
is a thematic trilogy of plays exploring grief, technology, and intensity in three distinct time periods:
1.
NANOBLADE 1998
set in the Cook County Hospital during a technological overhaul in medical practice. Romance, chaos, and madness ensue.
2.
SPRING BREAK 2020
a multimedia
grand guignol s
et during the Covid lockdowns. A spectacle that spirals towards an unforgettable finale.
3.
THE MOURNING LIGHT 2050
set in River City, Chicago, in the distant future. About the family of a tech CEO who's invented program to communicate with the dead in Virtual Reality. Prophesies from another realm threaten to tear the family apart.
+ Nasim Bleeds Green
Nasim Bleeds Green was workshopped at Oggi Gallery, Chicago, from November 2019 till Friday, March 13, 2020, when the Covid-19 Pandemic prematurely ended the rehearsal process. It was produced by The Runaways Lab Theater and Margo Rush and was partially supported by a grant from the Illinois Arts Council Agency.
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