Band on the Run
was a commercial success, but even if it was billed as a
Wings
effort, it was primarily recorded by
Paul
,
Linda
, and
Denny Laine
. So, it was time to once again turn
into a genuine band, adding
Joe English
and
Jimmy McCulloch
to the lineup and even letting the latter contribute a song. This faux-democracy isn't what signals that this is a band effort -- it's the attitude, construction, and pacing, which
McCartney
acknowledges as much, opening with an acoustic title track that's a salute to arena rock, leading to a genuine arena rock anthem,
"Rock Show."
From that, it's pretty much rocking pop tunes, paced with a couple of ballads and a little whimsy, all graced with a little of the production flair that distinguished
. But where that record was clearly a studio creation and consciously elaborate, this is a straightforward affair where the sonic details are simply window dressing.
doesn't really try anything new, but the songs are a little more varied than the uniform, glossy production would suggest; he dips into soft-shoe music hall shuffle on
"You Gave Me the Answer,"
gets a little psychedelic with
"Spirits of Ancient Egypt,"
kicks out a '50s rock & roll groove with
"Magento and Titanium Man,"
and unveils a typically sweet and lovely melody on
"Listen to What the Man Said."
These are a slight shifts on an album that certainly feels like the overture for the arena rock tour that it was, which makes it one of
's more consistent listens, even though it's possible to scan the song listing after several listens and not recognize any song outside of
"Listen to What the Man Said"
and the opening medley by title. ~ Stephen Thomas Erlewine