For thirty-five years
Visual Thinking
has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of
The Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art,
and
Art and Visual Perception,
asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indispensable tool for students and for those interested in the arts.