As fascism is on the rise in Europe, Sara and her German husband Kurt return to her mother's Washington, D.C., mansion after years away. It's a joyous homecoming until an unexpected threat forces Kurt to make a fateful decision. Recorded before an audience at UCLA's James Bridges Theater in October 2017. Director: Rosalind Ayres Producing Director: Susan Albert Loewenberg An L.A. Theatre Works Full-Cast Performance Featuring: Edita Brychta as Anise Jonathan Cake as Kurt Muller Heidi Dippold as Sara Muller Anna Lyse Erikson as Babette Muller Susannah Fielding as Marthe de Brancovis Lovensky Jean-Baptiste as Joseph Taj Jegaraj as Joshua Muller Susan Sullivan as Fanny Farrelly Patrick Wenk-Wolff as Teck de Brancovis Matthew Wolf as David Farrelly Adam Wylie as Bodo Muller Associate Producer: Anna Lyse Erikson Recording Engineer, Sound Designer, Mixer: Mark Holden for The Invisible Studios, West Hollywood Music Supervisor: Ronn Lipkin Production Manager: Katie Friesen Sound Effects Artist: Shereen Khan Editor: Mitchell Lindskoog"
As fascism is on the rise in Europe, Sara and her German husband Kurt return to her mother's Washington, D.C., mansion after years away. It's a joyous homecoming until an unexpected threat forces Kurt to make a fateful decision. Recorded before an audience at UCLA's James Bridges Theater in October 2017. Director: Rosalind Ayres Producing Director: Susan Albert Loewenberg An L.A. Theatre Works Full-Cast Performance Featuring: Edita Brychta as Anise Jonathan Cake as Kurt Muller Heidi Dippold as Sara Muller Anna Lyse Erikson as Babette Muller Susannah Fielding as Marthe de Brancovis Lovensky Jean-Baptiste as Joseph Taj Jegaraj as Joshua Muller Susan Sullivan as Fanny Farrelly Patrick Wenk-Wolff as Teck de Brancovis Matthew Wolf as David Farrelly Adam Wylie as Bodo Muller Associate Producer: Anna Lyse Erikson Recording Engineer, Sound Designer, Mixer: Mark Holden for The Invisible Studios, West Hollywood Music Supervisor: Ronn Lipkin Production Manager: Katie Friesen Sound Effects Artist: Shereen Khan Editor: Mitchell Lindskoog"
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