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Weathered
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Weathered in Franklin, TN
Current price: $11.99

Barnes and Noble
Weathered in Franklin, TN
Current price: $11.99
Loading Inventory...
Size: OS
The week
Creed
released their fourth album,
Weathered
, lead vocalist
Scott Stapp
mentioned in an interview that they didn't really care about the widespread critical disdain for his group, since
Led Zeppelin
wasn't appreciated either -- not until they released their fourth album in 1971, that is.
Stapp
's assessment is a little off;
Zeppelin
never really enjoyed good reviews by most of the
rock
-crit establishment -- at least until 1988 when
Zep
-mania gripped the nation and even prompted
Rolling Stone
to put
Robert Plant
on the cover -- but his sentiment is right on target since he's saying
isn't a band for the critics, they simply do what they do and the proof that they're right is in the millions of fans. Well,
certainly isn't a critic's band, but not because critics hate heavy
--
grunge
sorta blew that bugaboo out of the water when it became mandatory to take anybody with heavy guitars seriously -- but because
simply works very earnestly within a tradition without ever expanding it, without ever adding humor or even cracking a smile.
R.E.M.
and
U2
may have had the weight of the world on their shoulders during the first
Bush
era, but they lightened up occasionally.
never does. They are a very serious band, realizing that the world is very serious, so music is a serious business, a way of expressing their faith, passion, yearning, and love -- all things that are quite serious so they should be treated seriously. Their hearts are in the right place -- let it never be said that they're only in this for the money or the fame; they even advertise
's With Arms Wide Open Foundation charity in the liner notes -- but the earnestness in their approach is magnified by their resolutely unimaginative
neo-grunge
. Try as they may -- and they do, bringing in
the Tallahasee Boys' Choir
for
"Don't' Stop Dancing,"
incorporating a Cherokee Indian prayer on
"Who's Got My Back,"
sprinkling the album with some keyboards, and stretching out to near-epic lengths occasionally -- they don't break from that template, and to all but the hardcore, this is simply another
record, one that has the same faults or virtues, depending on your viewpoint. And that's why
isn't
, even though both were slagged by critics, say what you may,
changed on each of those first four records, where
has stayed the same. (This does get the honorary
Fred Durst
's Chocolate Starfish award for worst album cover of the year, however.) ~ Stephen Thomas Erlewine
Creed
released their fourth album,
Weathered
, lead vocalist
Scott Stapp
mentioned in an interview that they didn't really care about the widespread critical disdain for his group, since
Led Zeppelin
wasn't appreciated either -- not until they released their fourth album in 1971, that is.
Stapp
's assessment is a little off;
Zeppelin
never really enjoyed good reviews by most of the
rock
-crit establishment -- at least until 1988 when
Zep
-mania gripped the nation and even prompted
Rolling Stone
to put
Robert Plant
on the cover -- but his sentiment is right on target since he's saying
isn't a band for the critics, they simply do what they do and the proof that they're right is in the millions of fans. Well,
certainly isn't a critic's band, but not because critics hate heavy
--
grunge
sorta blew that bugaboo out of the water when it became mandatory to take anybody with heavy guitars seriously -- but because
simply works very earnestly within a tradition without ever expanding it, without ever adding humor or even cracking a smile.
R.E.M.
and
U2
may have had the weight of the world on their shoulders during the first
Bush
era, but they lightened up occasionally.
never does. They are a very serious band, realizing that the world is very serious, so music is a serious business, a way of expressing their faith, passion, yearning, and love -- all things that are quite serious so they should be treated seriously. Their hearts are in the right place -- let it never be said that they're only in this for the money or the fame; they even advertise
's With Arms Wide Open Foundation charity in the liner notes -- but the earnestness in their approach is magnified by their resolutely unimaginative
neo-grunge
. Try as they may -- and they do, bringing in
the Tallahasee Boys' Choir
for
"Don't' Stop Dancing,"
incorporating a Cherokee Indian prayer on
"Who's Got My Back,"
sprinkling the album with some keyboards, and stretching out to near-epic lengths occasionally -- they don't break from that template, and to all but the hardcore, this is simply another
record, one that has the same faults or virtues, depending on your viewpoint. And that's why
isn't
, even though both were slagged by critics, say what you may,
changed on each of those first four records, where
has stayed the same. (This does get the honorary
Fred Durst
's Chocolate Starfish award for worst album cover of the year, however.) ~ Stephen Thomas Erlewine
The week
Creed
released their fourth album,
Weathered
, lead vocalist
Scott Stapp
mentioned in an interview that they didn't really care about the widespread critical disdain for his group, since
Led Zeppelin
wasn't appreciated either -- not until they released their fourth album in 1971, that is.
Stapp
's assessment is a little off;
Zeppelin
never really enjoyed good reviews by most of the
rock
-crit establishment -- at least until 1988 when
Zep
-mania gripped the nation and even prompted
Rolling Stone
to put
Robert Plant
on the cover -- but his sentiment is right on target since he's saying
isn't a band for the critics, they simply do what they do and the proof that they're right is in the millions of fans. Well,
certainly isn't a critic's band, but not because critics hate heavy
--
grunge
sorta blew that bugaboo out of the water when it became mandatory to take anybody with heavy guitars seriously -- but because
simply works very earnestly within a tradition without ever expanding it, without ever adding humor or even cracking a smile.
R.E.M.
and
U2
may have had the weight of the world on their shoulders during the first
Bush
era, but they lightened up occasionally.
never does. They are a very serious band, realizing that the world is very serious, so music is a serious business, a way of expressing their faith, passion, yearning, and love -- all things that are quite serious so they should be treated seriously. Their hearts are in the right place -- let it never be said that they're only in this for the money or the fame; they even advertise
's With Arms Wide Open Foundation charity in the liner notes -- but the earnestness in their approach is magnified by their resolutely unimaginative
neo-grunge
. Try as they may -- and they do, bringing in
the Tallahasee Boys' Choir
for
"Don't' Stop Dancing,"
incorporating a Cherokee Indian prayer on
"Who's Got My Back,"
sprinkling the album with some keyboards, and stretching out to near-epic lengths occasionally -- they don't break from that template, and to all but the hardcore, this is simply another
record, one that has the same faults or virtues, depending on your viewpoint. And that's why
isn't
, even though both were slagged by critics, say what you may,
changed on each of those first four records, where
has stayed the same. (This does get the honorary
Fred Durst
's Chocolate Starfish award for worst album cover of the year, however.) ~ Stephen Thomas Erlewine
Creed
released their fourth album,
Weathered
, lead vocalist
Scott Stapp
mentioned in an interview that they didn't really care about the widespread critical disdain for his group, since
Led Zeppelin
wasn't appreciated either -- not until they released their fourth album in 1971, that is.
Stapp
's assessment is a little off;
Zeppelin
never really enjoyed good reviews by most of the
rock
-crit establishment -- at least until 1988 when
Zep
-mania gripped the nation and even prompted
Rolling Stone
to put
Robert Plant
on the cover -- but his sentiment is right on target since he's saying
isn't a band for the critics, they simply do what they do and the proof that they're right is in the millions of fans. Well,
certainly isn't a critic's band, but not because critics hate heavy
--
grunge
sorta blew that bugaboo out of the water when it became mandatory to take anybody with heavy guitars seriously -- but because
simply works very earnestly within a tradition without ever expanding it, without ever adding humor or even cracking a smile.
R.E.M.
and
U2
may have had the weight of the world on their shoulders during the first
Bush
era, but they lightened up occasionally.
never does. They are a very serious band, realizing that the world is very serious, so music is a serious business, a way of expressing their faith, passion, yearning, and love -- all things that are quite serious so they should be treated seriously. Their hearts are in the right place -- let it never be said that they're only in this for the money or the fame; they even advertise
's With Arms Wide Open Foundation charity in the liner notes -- but the earnestness in their approach is magnified by their resolutely unimaginative
neo-grunge
. Try as they may -- and they do, bringing in
the Tallahasee Boys' Choir
for
"Don't' Stop Dancing,"
incorporating a Cherokee Indian prayer on
"Who's Got My Back,"
sprinkling the album with some keyboards, and stretching out to near-epic lengths occasionally -- they don't break from that template, and to all but the hardcore, this is simply another
record, one that has the same faults or virtues, depending on your viewpoint. And that's why
isn't
, even though both were slagged by critics, say what you may,
changed on each of those first four records, where
has stayed the same. (This does get the honorary
Fred Durst
's Chocolate Starfish award for worst album cover of the year, however.) ~ Stephen Thomas Erlewine